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	<title>Smoke &#38; Mirrors &#187; The New Yorker Archive</title>
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	<description>Essays on Theater and the Arts</description>
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		<title>Not for Profit</title>
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		<pubDate>Mon, 06 Jul 1992 14:07:46 +0000</pubDate>
		<dc:creator>Mimi Kramer</dc:creator>
				<category><![CDATA[Broadway Revivals]]></category>
		<category><![CDATA[The New Yorker Archive]]></category>
		<category><![CDATA[Oscar Wilde]]></category>
		<category><![CDATA[Revivals]]></category>

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		<description><![CDATA[<small>Al Pacino in Oscar Wilde's "Salomé"

<small><em>The New Yorker, </em>July 6, 1992</em></small></small>

It's good fun up to a point, as  would be any production of "Salomé" that begins with the Cappadocian blowing the Second Soldier. <a href="http://smokeandmirrors.cityofsmoke.com/archives/1856">Continue reading</a>]]></description>
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