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	<title>Smoke &#38; Mirrors &#187; Oscar Wilde</title>
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	<description>Essays on Theater and the Arts</description>
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		<title>The New Drag (And Why It Matters)</title>
		<link>http://smokeandmirrors.cityofsmoke.com/archives/57</link>
		<comments>http://smokeandmirrors.cityofsmoke.com/archives/57#comments</comments>
		<pubDate>Tue, 04 Jul 2000 16:56:38 +0000</pubDate>
		<dc:creator>Mimi Kramer</dc:creator>
				<category><![CDATA[Popular Culture]]></category>
		<category><![CDATA[Drag]]></category>
		<category><![CDATA[Metaphor]]></category>
		<category><![CDATA[Oscar Wilde]]></category>

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		<description><![CDATA[<small>From <em>New York Press,</em> July 4, 2000

Wilde's plays presented saints who purported to be sinners---or rather good men who liked to pretend to pretend to be bad. For Wilde's protagonists, the affectation of affectation was a moral imperative. On another level, they really were "sinners"---in society's view---if you were hip enough to get the subtext.</small> <a href="http://smokeandmirrors.cityofsmoke.com/archives/57">Continue reading</a>]]></description>
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