Herb Gardner’s “Conversations With My Father”
The New Yorker, April 13, 1992
Above all, the play isn’t simplistic, and although it requires a large cast and a vast elaborate set, you don’t leave the theater with a sense of waste. Continue reading
Herb Gardner’s “Conversations With My Father”
The New Yorker, April 13, 1992
Above all, the play isn’t simplistic, and although it requires a large cast and a vast elaborate set, you don’t leave the theater with a sense of waste. Continue reading