I’ve read several Google pages’ worth of commentaries on Susan Boyle, the middle-aged Scottish woman whose April 11 performance of a song from Les Miserables on the U.K. version of “American Idol,” “Britain’s Got Talent,” millions of people have watched on YouTube. So far, though, I’ve yet to encounter an article, essay, or blog post that touches on the aspect of the phenomenon that I found most fascinating and moving.
No one as far has commented on the nature of the number Boyle performed—no one has pointed out that it’s a lousy song. This is perfectly understandable. To do so would Continue reading