Richard Nelson’s “Two Shakespearean Actors”
The New Yorker, January 27, 1992
We find ourselves loving actors even more than they love themselves, not least because the play has shown off real actors to their best advantage. Continue reading
Richard Nelson’s “Two Shakespearean Actors”
The New Yorker, January 27, 1992
We find ourselves loving actors even more than they love themselves, not least because the play has shown off real actors to their best advantage. Continue reading
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