Caryl Churchill’s “Ice Cream and Hot Fudge” at the Public Theater
The New Yorker, May 21, 1990
The rhetoric—like that of municipal signs (“Littering is filthy and selfish so don’t do it!”)—is pungent, but the message is fairly lightweight. Continue reading
Acting American Theater Exchange Andrew Lloyd Webber Art Arthur Miller Avant-garde Theater Bad Musicals Balanchine Ballet BAM Baz Lurhman Billy Joel Brecht British Imports Broadway Broadway Musicals Broadway Revivals Broadway Theater Brooklyn Academy of Music Camp Chekhov Children's Literature Circle Repertory Theater Classical Theater Comedy Commercial Theater Dance David Ives Drag Edward Eager Epic Theater Eugene O'Neill Film Gay Stereotypes Greek Tragedy Hal Prince House M.D. Ibsen John Patrick Shanley Labyrinth Theater Language Lincoln Center Theater Mary Zimmerman Melville Metaphor Michael Weller Mike Nichols Moby Dick Moonwork Movies Musicals Musical Theater National Actors Theater Neil Simon New York Murders New York Shakespeare Festival Non-Profit Theater Nutcracker NYSF Off-Broadway Off-Off-Broadway Oscar Wilde Ovid Paul Rudnick Philip Seymour Hoffman Popular Culture Popular song Pseudo-Intellectual Theater Public Theater Realism Rebecca Gilman Revivals Richard Greenberg Richard Nelson Ricky Ian Gordon Rinde Eckert Robert Warshow Royal Shakespeare Company Rusty Magee September 11 Shakespeare Production Shaw Song and Dance Stage Jew Stanislavsky Stanley Kubrick Stephen Adly Guirgis Stephen Stucker Steven Spielberg Subsidized Theater Susan Boyle Television The Crucible Tony Kushner Twelfth Night Twyla Tharp West End Theater Whaleship Essex World Trade Center Yasmina Reza