Essays on Theater and the Arts

Harry Kondoleon’s “Zero Positive” at the Public

The New Yorker, June 20, 1988

That Mr. Kondoleon is trying to say something profound is clear: He wants to use AIDS as a metaphor for life’s tragic, unlooked-for disappointments. Continue reading

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§2274 · June 20, 1988 · Off-Broadway, The New Yorker Archive · Comments Off on Mute Pretensions · Tags: , ,